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Stephen Gislason

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The Sound of Music
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Art of the Fugue 2010  JS Bach revisited

Stephen Gislason arranger and performer on synthesizers.

The Art of the Fugue (Die Kunst der Fuge, BWV1080)is a collection of Johann Sebastian Bach' last compositions.
His son, Carl, published the work in 1751, still incomplete. One theme is developed through contrapuntal variations. Much speculation and controversy has arisen as musicologists analyzed the pieces. The last fugue 14 has been of special interest as presumably the last music that Bach wrote and because his hand written score is unfinished at bar 239.  His son Carl  wrote on the score:" At the point where the composer introduces the name BACH in the countersubject to this fugue, the composer died."

Glenn Gould recorded his versions of the Fugues (piano and organ) and I have enjoyed and followed his approach to studio recording -- the essence of which is creativity and minute attention to detail.   In an online review of Gould's recording, David Bryson stated:" One of the most extraordinary things about Bach is how popular he manages to be for all his seeming severity. The Art of Fugue is innocent of the lyricism that was also part of Bach's infinite musical gift, it makes no compromises with us, but I would say to newcomers to the work that Gould's accounts, partial as they are, would be the best place to start to know this unique and towering masterpiece... Gould chose to play the Art of Fugue on the organ, giving the separate voices, indeed, every note, dynamic equality... with sound powerful and regal enough to do it justice  but with the clipped, clavichord rhythm that brings out the playful personalities of which these fugues consist, emphasizing as Gould always does the conversational diversity and harmony that is the essence of counterpoint."

While both Bach and Gould receive a lot of attention from fans and scholars with attendant arguments, my approach is (with due reverence) to follow my own instincts, preferences, and creativity. I wanted to achieve a version of the Art of the Fugue that is different from previous versions. I have spent over 2 years developing my arrangements and could issue several albums with quite divergent interpretations. One melodic theme repeats thru many variations. Four voices interact in contrapuntal relationships that develop quite differently in each fugue. I have orchestrated many of the fugues using synthesizer voices that are both instrumental and also create novel sounds. The basic instruments are grand piano, electronic pianos, vibraphone, trumpet, oboe, acoustic and electric basses. Some purely synthesizer sounds are used in a voice or string like manner for sustaining sounds.  I believe I have reached an understanding with Bach and Gould, that these pieces have an infinite quality that cannot be contained in any individual's opinion of them. " Art of Fugue

Here are three pieces from the Art of Fugue Album

Download  The Art of the Fugue A    The Art of the Fugue B

There are different versions of the Art of Fugue, for example:

Part 1: 14 Fugues (Contrapuncti)

Contrapunctus 1 (simple fugue)

Contrapunctus 2 (simple fugue with 'French rhythm')

Contrapunctus 3 (simple inversion fugue)

Contrapunctus 4 (simple inversion fugue with countersubject)

Contrapunctus 5 (stretto fugue)

Contrapunctus 6 ('in stilo francese')

Contrapunctus 7 ('per augmentationem et diminutionem')

Contrapunctus 8 (triple fugue)

Contrapunctus 9 ('alla Duodecima'; double fugue)

Contrapunctus 10 ('alla Decima'; double fugue)

Contrapunctus 11 (triple fugue)

Contrapunctus 12a ('mirror' fugue 1: rectus)

Contrapunctus 12b ('mirror' fugue 1: inversus)

Contrapunctus 13a ('mirror' fugue 2: rectus)

Contrapunctus 13b ('mirror' fugue 2: inversus)

Contrapunctus 14 ('Fuga a 3 Soggetti'; unfinished)

Canons, labeled by interval and technique:
14. Canon per Augmentationem in Contrario Motu: Augmented canon in inverted motion.
15. Canon alla Ottava: Canon at the Octave. The two imitating voices are separated by an octave.
16. Canon alla Decima in Contrapunto alla Terza: Canon at the tenth, counterpoint at the third.
17. Canon alla Duodecima in Contrapunto alla Quinta: Canon at the twelfth, counterpoint at the fifth.

Digital Bach for the 21 Century A Persona Digital Production, Stephen Gislason Arranger & Performer

We Seek Audiophile Perfection  Noise is the enemy of high quality music.  Remember that quiet and discrete sounds are ubiquitous in nature. Loud sounds are unusual and signal danger. Natural sounds are well defined and specific so that the identity of the source is quickly recognized. This appreciation of the qualities of natural sound is the basis of audiophile recording.  We have 25 years of experience with computer based sound recording and enjoy technology shop talk. We also have a well developed interest in how our brains process sounds. Our in house music production creates audiophile quality recordings presented as CD's, DVDs, singles and albums for Download.

Free Music Downloads are offered as music history, music appreciation, education and demonstrations of Persona Studio's arranging, recording and mastering techniques. All the recordings are completed in house by Stephen Gislason. The music selections and their history are explained in the book, Sound of Music.

Album Link Download Size MB
Shorter & Zawinul (Free) 58.3
Miles Lineage  (Free) 51.4
     
     
Counterpoint for Genius 1A 34.5
Counterpoint for Genius 1B 38.2
Art of the Fugue 1A 33.3
Art of the Fugue 1 B 39.4
Digital Bach Favorites A 39.7
Digital Bach Favorites B 41.6
     
Jamaica A (Free) 23.8
Jamaica B (Free) 35.8
Latin Love (Free) 39.2
P2500 Dance Party One 39.2
P2500 Dance Party Two 39.2
Captain Suite 39.2
Robins Love 39.2
 
Topics presented at Persona Digital Studio are from the book, The Sound of Music by Stephen Gislason.
Click the Download button to order the eBook from Persona Digital Online.   

Persona Digital Studio is located on the Sunshine Coast, Sechelt, British Columbia, Canada.
 www.personadigitalstudio.com  email  music@personadigitalstudio.com.
Our Music Catalogue includes recorded performances by the P2500 Band, Em4U, and the Persona Classical Consort.  Music downloads are available from our companion website: Persona Digital Online.  

   
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